In the postwar era, Drexel embraced the clean lines of mid-century modernism with the Declaration collection designed by Stewart MacDougall and Kipp Stewart that featured elegant credenzas and more made in walnut and the Profile and Projection collections designed with sculptural shapes by John Van Koert. Always ready to adapt to new customer demands, during World War II, Drexel built a sturdy desk designed especially for General Douglas MacArthur. Others replicated the ornate details of 18th-century chinoiserie or the embellishments of Queen Anne furniture. This included making pieces inspired by historic European furniture, like the popular French provincial–style Touraine bedroom and dining group that borrowed its curves from Louis XV-era furniture.
This focus on design, which few other furniture companies were committing to at the time, allowed Drexel to respond to a variety of new and traditional tastes. One of Drexel’s early innovations was to employ staff designers, something the company initiated in the 1930s. The first offerings from Drexel Furniture were simple: a bed, washstand and bureau all crafted from native oakwood, sold as a bedroom suite for $14.50. In 1903, in the small town of Drexel in the foothills of North Carolina’s Blue Ridge Mountains, six partners came together to found a company that would become one of the country’s leading furniture producers. While vintage Drexel Furniture dining tables, dressers and other pieces remain highly desirable for enthusiasts of mid-century modern design, the manufacturer's story actually begins decades before its celebrated postwar-era Declaration line took shape.
0 kommentar(er)
